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November 30, 2007|Volume 36, Number 12|Two-Week Issue


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Michael Rudko plays Orgon in the Yale Rep's production of Molière's "Tartuffe."



An old classic is seen through
a modern lens at Yale Rep

“Tartuffe, or the Imposter,” Molière’s comedy about a scheming hypocrite, will open at the Yale Repertory Theatre on Monday, Dec. 3, one week later than originally planned. The re-scheduling is due to the death of School of Drama student Pierre-André Salim, who had been helping with the production.

Salim, a second-year student in the School of Drama’s technical design and production M.F.A. program, died in an accident during the load-in of the set for “Tartuffe.”

“We are delaying performances in part to give our community time to come together in support of Pierre’s family, friends and colleagues, and begin to heal,” says James Bundy, artistic director of the Yale Rep and dean of the School of Drama.

Opening night and press night for “Tartuffe” has been re-scheduled for Thursday, Dec. 6, and the production will close as scheduled on Saturday, Dec. 22.

In “Tartuffe, or the Imposter,” the wealthy Orgon has fallen under the spell of Tartuffe, a religious fraud, and refuses to see the evidence of Tartuffe’s hypocrisy. Tartuffe is intent on the family’s fortune and Orgon’s daughter’s hand in marriage. The Yale Rep’s production, directed by Daniel Fish, is a verse translation by Richard Wilbur. The actors in the show will be joined onstage by a videographer, who makes visible what otherwise would be hidden from view in Tartuffe’s schemes. Arguably Molière’s most famous play, “Tartuffe” was first performed in 1664.

The cast features Zach Grenier, last seen at the Yale Rep in the title role in “Uncle Vanya,” as Tartuffe and Michael Rudko as Orgon. Also in the cast are Michelle Beck, Beth Dixon, Christopher Donahue, Andy Paterson, Christina Rouner, Tom Story, Daniel Cameron Talbott, Nick Westrate and Sally Wingert.

Members of the production team include John Conklin, scenic design; Kaye Voyce, costume design; Jane Cox, lighting design; Karin Graybash, sound design; and Alexandra Eaton, video design.

Performances are at 8 p.m. Monday-Saturday, with additional 2 p.m. matinees on Wednesday, Dec. 5; Saturday, Dec. 8 (an open-captioned and “Talk Back” performance featuring a discussion with the cast and crew following the show); Saturday, Dec. 15 (an audio-described performance) and Saturday, Dec. 22 (a “Talk Back” performance). Additional “Talk Back” offerings will be held following the 8 p.m. show on Dec. 11 and Dec. 13.

Single tickets range from $35 to $58, with discounts for students and seniors.

The Yale Rep’s 2007-2008 season continues after “Tartuffe” with the world premiere of “The Evildoers” by David Adjmi, Jan. 18-Feb. 9; Oscar Wilde’s “A Woman of No Importance,” March 21-April 12; and the world premiere of José Rivera’s “Boleros for the Disenchanted,” April 25-May 17.

Four- and six-ticket Flex Passes are available and may be used for the remaining plays in the season. The cost is $180 for four plays and $250 for six. Flex Passes allow patrons to select the plays and dates of their choice. Flex Passes may be redeemed on a per-show basis, allowing patrons to decide how many passes to redeem for one or more productions.

To order tickets or Flex Passes, visit www.yalerep.org, call (203) 432-1234, or visit the box office of the Yale Repertory Theatre, 1120 Chapel St. (at York).

The Yale Rep will contact ticket holders for the canceled performances Nov. 26-Dec. 1. Those who hold tickets for those dates can also contact the Rep directly at (203) 432-1321.


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