Yale Bulletin and Calendar

November 9, 2001Volume 30, Number 10



VISITING ON CAMPUS

CALENDAR OF EVENTS

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The School of Forestry & Environmental Studies (F&ES) has launched the public phase of a major campaign that will seek a minimum of $60 million, primarily to support faculty endowment, student scholarships and a new "green" facility for the school.
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The Yale School of Management (SOM) was honored on Oct. 31 by The Aspen Institute in New York City and the World Resource Institute (WRI) in Washington, D.C., for its outstanding work training future business leaders in environmental management skills.
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Seven of the FBI's 21 most-wanted terrorists have a safe haven in Iran, a country which has been "funding, training and inspiring the bin Ladens of this world" ever since the fundamentalist Islamic government came to power 22 years ago, Crown Prince Reza Pahlavi, son of the former Shah of Iran, said during a campus visit.
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O T H E RS T O R I E S

Yale Books in Brief

For American architects, the sky is still the limit, says Stern

AIA to honor Stern for his contributions to the 'urban landscape'

Ireland's former prime minister to speak at YCIAS

DEA official and New Mexico's governor to discuss war on drugs

Show highlights painter John Singer Sargent's sculptural skills

Panel goes beyond fantasy and crisis to look at richness of Arab civilization

Yale has long history of teaching Arabic language

Conference on 'ideal' Native American school to include play, film clip screening

Council on European Studies sponsoring conference on problems faced in Balkans during World War II

Auction to raise funds to fight hunger and homelessness

Memorial service to honor Levi Jackson, first African-American football captain

Rescheduled talks to explore Sept. 11 events, evolution


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This issue marks the debut of a new feature in the paper -- "Yale Books in Brief," a look at recent publications by members of the Yale community.
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Pictured is John Sargent's study for "Classic and Romantic Art," one of the decorations the painter created for the walls of the Museum of Fine Arts in Boston.
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