A 15-foot long woodcut panorama that is one of the earliest visual documentations of Muslim life by a European artist will be displayed at the Yale University Art Gallery through Wednesday, Feb. 6.
The woodcut, titled "Moeurs et Fachons des Turcs" ("Manners and Customs of the Turks") by Flemish artist Pieter Coecke van Aelst (1502-1555), records a journey the artist took through the Balkans to Constantinople in 1533. It is on view on the fourth floor of the gallery.
"This eyewitness report from four-and-a-half centuries ago is relevant to our reawakened interest in the Muslim world today," says Suzanne Boorsch, curator of prints, drawings and photographs. "We are delighted to have the opportunity to exhibit this extraordinary work, which has not been on public view at the art gallery for nearly two decades."
At the time of Coecke's journey, the Turkish sultan Suleyman was at war with western Europe, yet Coecke records the impressions of his journey with remarkable evenhandedness, Boorsch says. He describes a Turkish encampment, the dealings of soldiers with local peasants, soldiers at prayer, a Muslim cemetery and funeral, a circumcision festival and the sultan himself on parade in his capital.
"For most Europeans at this time, Islam seemed a fearsome threat," says Christopher Wood, professor of the history of art. "Pieter Coecke's woodcuts represent the Turks not as barbarians but as a rival civilization, perhaps even as worthy inheritors of the classical tradition."
"Manners and Customs of the Turks" is displayed adjacent to the exhibition "Holland of the Imagination: Dutch Prints and Drawings of the Sixteenth and Seventeenth Centuries," which is on view through Feb. 3.
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