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February 1, 2008|Volume 36, Number 16


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Gilbert M. Joseph edited "In from the Cold: Latin America's New Encounter with the Cold War," which is considered one of the first books to explore the impact of the Cold War on the Latin American region.



Yale Books in Brief

The following is a list of books recently or soon to be published by members of the Yale community. Descriptions are based on material provided by the publishers. Authors of new books can forward publishers’ book descriptions to Susan Gonzalez.


In from the Cold: Latin America’s New Encounter with the Cold War
Edited by Gilbert M. Joseph, the Farnam Professor of History and International Studies, and Daniela Spenser
(Duke University Press)

Representing a collaboration among 11 North American, Latin American and European historians, this volume analyzes how international conflict during the Cold War era transformed the Latin American region’s political, social and cultural life. “In from the Cold” shifts the focus away from the biopolar conflict — the preoccupation of recent Cold War history — in order to showcase research, discussion and an array of new archival and oral sources centering on the grass roots, where conflicts actually brewed. The contributors examine international and everyday contests over political power and cultural representation, concentrating on communities and groups above ground and underground, on state houses and diplomatic board rooms manned by Latin American and international governing elites, on the relations among the states regionally, and, less frequently, on the dynamics between the United States and the Soviet Union.


The Moscow Yiddish Theater: Art on Stage in the Time of Revolution
Benjamin Harshav, professor of comparative literature and the J. & H. Blaustein Professor of Hebrew Language and Literature
(Yale University Press)

The Moscow Yiddish Theater (later called GOSET) was born in 1919 and became one of the most avant-garde theaters in Europe. While it flourished in the 1920s, under Bolshevik pressure it lost much of the originality that had distinguished it. It was liquidated after Stalin’s henchmen murdered GOSET’s legendary actor and director Solomon Mikhoels in 1948. “The Moscow Yiddish Theater” focuses on the theater’s beginnings as an organization of artistic exploration, for the first time bringing English readers selected writings that reflect the aesthetics and politics of Yiddish revolutionary theater. The book also incorporates salvaged images of Marc Chagall’s famous theater murals, as well as paintings of costumes and stage sets created by noted artists of the day. These illustrations, discovered after the fall of the Soviet Union, have never been published before.


The Theory and Treatment of Depression: Towards a Dynamic Interactionism Model
Edited by Sidney J. Blatt, professor of psychiatry and psychology and chief of the Psychology Section of the Department of Psychiatry, and Jozef Corveleyn and Patrick Luyten
(Psychoanalytic Inquiry Book Series, Lawrence Erlbaum Associates Inc., jointly with Leuven Press, Belgium)

“The Theory and Treatment of Depression” facilitates the development of more encompassing theories and more effective treatments for this disabling disorder by fostering dialogue and integration across different approaches to depression. The chapters each offer an overview of a particular area — cognitive-behavioral therapy, psychodynamic therapy, epidemiology, developmental psychopathology, neurobiology — and explore the barriers to constructive collaboration across these areas. In their epilogue, the editors note their dissatisfaction with the traditional psychiatric approach to depression, arguing that it is insufficiently informed by basic research. They also say existing guidelines for intervention often underestimate the need for more extended treatments for many patients, the importance of patient and therapist factors, and the central role of the therapeutic alliance. They propose an etiologically based, dynamic interactionism model of depression that emphasizes recursive interactions among genetic and neurobiological factors, personality and life stress in the etiology of depression, noting the potential of this model to guide future research and treatment that are better informed by science and more congruent with complex clinical reality.


In Extremis Leadership: Leading As If Your Life Depended On It
Thomas A. Kolditz, visiting professor at the Yale School of Management
(Jossey-Bass)

In this book Thomas Kolditz explains that his research on in extremis leadership — where followers perceive their lives to be threatened — reveals that the leadership lessons and principles in evidence in dangerous settings also apply to leading in business and everyday life. He shows how leadership literally defines the promise of hope or future life and that extremely capable leaders are needed in all walks of life. The book describes a variety of high-risk situations that are ideal settings to seek and find great leaders, to assess how they might be different, and to glean valuable insights for extraordinary leadership in people’s everyday lives. Through real-life stories of leaders in these extreme situations, Kolditz insists that leaders at all levels can improve their effectiveness.


Modernism: The Thrill of Heresy
Peter Gay, Sterling Professor Emeritus of History
(W.W. Norton)

In “Modernism: The Thrill of Heresy,” Peter Gay tells how Modernism swept through the arts beginning in the mid-19th-century, destroying traditional and classical artistic forms, and creating the modern world as we know it. He opens the book with Charles Baudelaire, showing how the poet’s sexually explicit poetry scandalized Paris in the 1840s and 1850s. He goes on to examine the Modernist influences in literature, other works of poetry, music and architecture, among other art forms. Gay presents a pageant of historical characters and legendary heretics, including Oscar Wilde, Virginia Woolf and Andy Warhol. In a final chapter devoted to Pop Art, he reveals how a new generation of artists brought together high and low art, thus sounding the death knell of a movement that had dominated Western culture for over 120 years.


A Slave No More: Two Men Who Escaped to Freedom, Including Their Own Narratives of Emancipation
David W. Blight, professor of American history and director of the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition
(Harcourt Trade Publishers)

Slave narratives are extremely rare, with only 55 post-Civil War narratives surviving — only a small number of which are first-person accounts by slaves who ran away and freed themselves. “A Slave No More” features two newly uncovered narratives and the David Blight’s biographies of the men who wrote them. Handed down through family and friends, these narratives tell stories of escape: Through a combination of intelligence, daring and luck, the men reached the protection of the occupying Union troops. Walter Turnage (1846-1916) was born in North Carolina and spent his adult life in New York City and Jersey City, New Jersey. John Washington (1838-1918) was born in Virginia, and worked as a house and sign painter in Washington, D.C. after his escape, retiring in Cohasset, Massachusetts. Using genealogical information, Blight has reconstructed their childhoods as sons of white slaveholders, their service as cooks and camp hands during the Civil War, and their climb to working-class stability in the North, where they reunited with their families. The former slaves tell their own stories in narratives discovered in 2004.


Super Crunchers
Ian Ayres, the William K. Townsend ­Professor of Law at the Law School and Yale School of Management
(Bantam Dell Publishing Group)

In his new book, Ian Ayres shows how today’s organizations are analyzing massive databases at lightening speed to provide greater insights into human behaviors. He calls them the “Super Crunchers.” From internet sites like Google and Amazon, which “know” customers’ tastes, to board rooms and government agencies, this new breed of decision makers are calling the shots, according to Ayres. He shows the benefits and risks of this new world of equation versus expertise, pointing out how data-mining and statistical analysis can both manipulate people and help them.


Defying Dixie: The Radical Roots of Civil Rights, 1919-1950
Glenda E. Gilmore, the Peter V. and C. Vann Woodward Professor of History
(W.W. Norton)

In this history of the Southern movement that gave birth to civil rights, Glenda Gilmore describes how home-grown radicals, labor activists, newspaper editors, black workers and intellectuals employed various strategies to take “Dixie” down. She shows how the movement unfolded against national and global developments, gaining focus and arriving at a narrow but effective legal strategy for securing desegregation and political rights. Gilmore’s account highlights the sometimes marginalized, little-known heroes of the movement to show how many of these dissenters were resisting racial segregation long before the traditionally celebrated civil rights initiatives of the mid-1950s.


The French Atlantic Triangle: Literature and Culture of the Slave Trade
Christopher L. Miller, the Frederick ­Clifford Ford Professor of French and African and Afro-American Studies
(Duke University Press)

The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. Yet until recently, France had not publicly acknowledged its history as a major slave-trading power. In his new book, Christopher Miller contends that the French slave trade connected France, Africa and the Caribbean so profoundly and permanently that a thorough assessment of its ramifications requires a broad, circum-Atlantic inquiry. His book is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature and film of France and its former colonies in Africa and the Caribbean.


Monteverdi’s Last Operas: A Venetian Trilogy
Ellen Rosand, the George A. Saden ­Professor of Music
(Univerity of California Press)

“Monteverdi’s Last Operas” examines the composer’s celebrated final works, “Il ritorno d’Ulisse in patria” and “L’incoronazione di Poppea,” from a new perspective. Ellen Rosand considers these works — completed in 1640 and 1642 respectively — as not merely a pair but constituents of a trio, a Venetian trilogy that, she argues, properly includes a third opera, “Le Nozze d’Enea e Lavinia” (1641). Although the music of this third opera has not survived, its chronological placement between the other two operas opens prospects for better understanding all three, Rosand claims. She writes that “Le nozze d’Enea” also helps to explain the striking differences between the other two operas, casting light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.


T H I SW E E K ' SS T O R I E S

University has reduced its greenhouse gas emissions by 17% . . .

New endowed chair honors Marie Borroff

Initiative to boost humanities-professional school interaction

Faculty survey to be starting point for ‘self-evaluation’

In Focus: Peking-Yale Joint Undergraduate Program

Forming bonds in China: Students hail their immersion experience


ENDOWED PROFESSORSHIPS

Yale Press to create digital edition of Soviet leader Stalin’s . . .

Switzerland tops experts’ index of global environmental leaders

Levin urges rededication to Martin Luther King Jr.’s ‘dream’

Paula Vogel to head School of Drama’s playwriting department

Study shows elderly with low vitamin E levels are . . .

Researchers identify key factor in stress effects on the brain

Exhibits explore British artists’ images of the Middle East

Drama School stages Ibsen’s ‘Peer Gynt,’ an exploration of . . .

Poetry and visual arts are united in library exhibitions’ . . .

Teaching fellowship winners are urged to ‘create passion’

IN MEMORIAM

Yale Books in Brief

Campus Notes


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